Highway Patrol was a syndicated, fictional police action series produced from 1955 to 1959, concerning the activities of the highway patrol and their leader, Dan Matthews (who held no rank). Although filmed in and around the Los Angeles area, the state setting for the stories was never identified, and city and street names were fictionalized.

Highway Patrol is an Australian factual television series screened on the Seven Network that premiered on 21 September 2009. Highway Patrol follows members of the Victoria Police Traffic Management Unit who face dangerous and unusual cases every time they hit the road. The police deal with high-speed car chases, car crashes, out-of-control drunk drivers and defiant hooligans. [1] Highway Patrol is produced by Greenstone Pictures, makers of New Zealand's Motorway Patrol with the co-operation of Victoria Police.

This show presented real police officers doing their jobs, chasing down criminals trying to evade the law, stopping drunks, and staking out stretches of highway in search of drug runners. Made primarily from footage of video cameras mounted on patrol cars, interspersed with interviews with the officers themselves.

U.S. Marines track down drug smugglers at a remote island.

Norm hates his gig as a security guard. He wanted a life of action, not a life of busting vandals at the mall. But when his six-year-old kid shows up for visitation and mistakes Dad for a policeman, Norm plays along. He quickly finds himself taking wild risks to maintain the guise of a street hardened five-o. When charade spins out of control, Norm must choose whether to come clean to his impressionable young son or continue living an overblown fantasy.

When two small town waitresses have had it with living an uneventful existence, they take to the Highway to find fun and adventure. It doesn't take long to find trouble instead and a quick change of plans points them towards the border. A chance meeting with a lone hitchhiker changes their plans again and this time they find themselves a day late and dollar short. When it comes to running from the law, you always have to be one step ahead...

A serial killer is on the loose, a frustrated cop is hot on his heels and a pair of young lovers happen to find themselves in midst of it all.

A teenage hitchhiker traverses a lonely mountain highway and begins to pick a mysterious radio broadcast rife with ominous reports of the near future.

This movie is a crime thriller. Suresh Gopi is a Research and Analysis Wing (RAW) officer who comes in disguise to a colony to investigate a bomb blast which killed 30 innocent college students. Bhanupriya falls in love with Suresh Gopi and the rest of the story revolves around how Suresh Gopi solves the case.

Hilary Harris’ nervy tour of Robert Moses’ New York hearkens back to the classic city symphonies of the 1920s but cut to fit the “go go go” energy of the new era. “The most exciting thing in film is movement,” Harris once wrote, and in Highway he shows why, shooting from a moving car for the road itself of its ramps, signs and overall pretzel logic. The film can be enjoyed purely as a riot of graphic forms, but at a deeper level Harris is revising the traditional panorama to capture the automotive experience of urban space. He peppers the expressway view with all manner of camera effects, but it’s finally his simple fascination with the changing shape of the road at speed that makes the screen come alive. Bronze medalist at the Brussels International Experimental Film Festival in 1958, Highway today appears a snappy detour between “On the Road” (published the year before) and the early films of the French New Wave (just around the bend). —Max Goldberg, fandor.com